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Farrer Park station

Farrer Park boasts a rich heritage for sports, and is well known as a breeding ground for soccer talents. Home to a horse racing track in the 1800s, the area even housed Singapore's first golf club in later years.

Located under Race Course Road, Farrer Park station has eight entrances, making it the station with the most entrances on the North East Line. Some of these entrances serve a newly built HDB estate at Farrer Park. Four other entrances were designed to integrate with future developments above and around the station.

The area around the station is peppered with buildings of varying vintage, with some buildings laying claim to a century old history. The age of the buildings, coupled with soft ground conditions, tested the engineers' tunnelling and technical expertise during the construction of the station. The new Farrer Park station brings a new lease of life to this historical area.

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Farrer Park was a focal point for all who were passionate about sports. Regarded as the birthplace of Singapore soccer, crowds have roared over goals on Farrer Park's soccer pitches from the pre-war years through to the 1970s. The Park's swimming pool, tennis courts and athletic track stadium introduced generations of school children to the exciting rough and tumble of sports.

Poh Siew Wah himself has many happy memories of swimming and watching sports games at Farrer Park during his school days. Combining research with these memories of his boyhood, Poh Siew Wah has created a collection of works celebrating Farrer Park's rich sporting traditions for Farrer Park station.

The artist uses images of sporting, dance and body movements in his works; working with curvilinear shapes and swirling lines to keep the image basic, graceful and light.

What makes his works distinctive is his simultaneous use of both the figurative and abstract forms. His artworks, executed in silkscreen on vitreous enamel, comprise enlarged expressive brush drawings of sportsmen and dancers in black on white background panels. These drawings are alternated with coloured panels of abstract shapes and lines depicting body movements teeming with a sense of energy and celebration.

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Four sets of vitreous enamel panels depicting swimming and other games like hockey, soccer, athletics, gymnastics and dance are located at the different subway entrances on the concourse level. A fifth set of panels which depicts horse racing reminds commuters that Singapore's very first turf club was established in Farrer Park.

Special efforts were made by the artist and architects at Farrer Park station to match the drawings of various sports to the entrance closest to the exact location where that sport was originally played. In this way, commuters entering Farrer Park station at the "soccer" entrance, for example, have the pleasure of walking on ground that saw the birth of Singapore soccer.

The dilemma that confronted the artist was how to marry abstracts, his preferred art form, with something that would make an instant connection with time-strapped commuters. His solution was to use both figurative and abstract elements as the basis for the entire design.

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The combination of the figurative and the abstract also stretched the artist's resources, pushing him to draw on his vast experience as an artist and an art teacher while reflecting the sensibilities of his more recent works.

While the artworks showcase two different art forms, common threads run through the abstract and the realistic creating a single, seamless whole. Both the abstract and the realistic works speak the language of movement and rhythm. When a person moves, say, by running across a soccer field, he leaves a trace of a line. This sense of movement starts in the brush strokes then draws the eye into the abstract work so that the lines and shapes extend from the realistic to the abstract and back again; creating fluid, flowing movements that have a sense of harmony.

At the same time, there are enough differences between each abstract-realistic pair to create interest and contrast; a sense of the "yin and yang" within the whole if you like.

To create his expressive brush drawings, the artist crumpled the paper he used beforehand to create jagged edges and uneven textures.

To create the sense of energy in his drawings, the artist worked with a Chinese brush, using his whole arm to create the shapes in the one quick movement. With the abstracts, he worked with coloured paper, cutting out the shapes to create precise sharp lines and better definition.

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In his works for Farrer Park station, the artist also demonstrates the effective use of colour. While the brush drawings are in black against a white panel, the abstracts are in pastel shades. Pastels were chosen to suffuse the station with a light, soothing ambience. These colours were then tonally gradated to create depth and a feeling of spaciousness.

In the finished artwork, Poh Siew Wah's acute colour sense and his mastery of movement in the realistic and the abstract forms give Farrer Park station its distinctive identity.

Artist: Poh Siew Wah
Born: Singapore, 1948
Education:
- Self-taught artist
- Specialist Art Education Course, 1979
  Institute of Education, Singapore

next: Boon Keng station

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